In his prime, the rhythmic nuances he was able to achieve were well beyond his contemporaries. He was particularly fond of many of the post-bop saxophonists such as Sonny Rollins and Cannonball Adderly, guitarist Wes Montgomery and pianist Oscar Peterson, to name a few. His extraordinary technique was no accident-he trained the fingers of his right hand to have the power and independence of the hands of a drummer by studying drum rudiments. He poured hours and hours of practice into even the simplest musical passage, making sure the phrasing was exactly as he wanted it to be.īuddy worked in the same vein as the great Joaquin Murphy, adapting the phraseology of the leading jazz instrumentalists of his day into his personal style. Obviously, he had loads of natural talent and intelligence but what really separated him from the pack was his tireless pursuit of the ideas he came up with-and there have been many. Since his arrival on the scene as an 18 year-old debuting at the Grand Ole Opry he has been the standard bearer of excellence. It is nearly impossible to exaggerate the sphere of influence that virtuoso Buddy Emmons (1937-2015) has had on the world of the steel guitar.
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